Ableton Mcp Lofifren

AbletonMCP - Ableton Live Model Context Protocol Integration

Fork notice: This is a fork of ahujasid/ableton-mcp extending it with a 33-personality style system and ~35 additional MCP tools. The original project is by Siddharth Ahuja and remains MIT-licensed. This fork is published to PyPI as ableton-mcp-lofifren.

AbletonMCP connects Ableton Live to Claude AI through the Model Context Protocol (MCP), allowing Claude to directly interact with and control Ableton Live. This integration enables prompt-assisted music production, track creation, and Live session manipulation.

Join the Community

Give feedback, get inspired, and build on top of the MCP: Discord. Made by Siddharth

What's New in This Fork

This fork extends the upstream ahujasid/ableton-mcp with significantly more capability — the goal is a full song in one prompt. The original PR #84 changes (clip editing, mixer controls, scene firing, audio-track creation, undo) are still present and proposed upstream as ahujasid/ableton-mcp#84. On top of that, this fork now adds ~35 additional MCP tools across six tiers, plus a 33-personality rule-based style system spanning jazz, fusion, R&B, hip-hop, and modern trap — from Coltrane and Bill Evans to Timbaland and Metro Boomin.

Tier 1 — Composite "song scaffold" tools (one call, many steps)

• setup_session(tempo, time_signature, tracks=[…]) — Bootstrap an entire session in a single round-trip: tempo, time signature, plus N tracks each with optional name, instrument, volume, and pan.
• create_clip_with_notes(track, clip, length, notes, name?) — Fuses create_clip + add_notes_to_clip + set_clip_name.
• create_clips_with_notes(clips=[…]) — Bulk form of create_clip_with_notes, creating and naming multiple MIDI clips in one remote batch for multi-part song sketches.
• generate_personality_clip(track, clip, personality, chord_progression, ...) — One-shot personality workflow: create the clip, generate the part, write notes, and optionally name the clip.
• create_track(type, name?, instrument_uri?, volume?, pan?, index?) — Single-call replacement for the create → name → load chain.
• duplicate_clip(src_track, src_slot, dst_track, dst_slot) — Cross-track clip duplication. (Upstream's duplicate_clip_to only works within a single track.)

Tier 2 — Missing primitives

• Time signature — set_time_signature(numerator, denominator)
• Clip editing — set_clip_loop, set_clip_length
• Mixer state — set_track_arm, set_track_mute, set_track_solo, set_master_volume
• Track lifecycle — delete_track
• Devices — set_device_parameter (raw Live values, clamped to the parameter's min/max)
• Scenes — create_scene, set_scene_name, set_scene_tempo

Tier 3 — Browser improvements

• search_browser(query, category?) — Walk Ableton's browser tree by name (case-insensitive). Returns up to 50 matches with URIs ready to load.
• load_instrument_by_name(track_index, name, category?) — Server-side composite: search + load in one call. No more URI hunting.
• get_track_devices(track_index) — List the devices on a track plus every device's parameters with their value, min, and max — needed before calling set_device_parameter.
• get_parameter_display_value(track, device, parameter) / get_device_displayed_parameters(track, device) — Read parameters as Live displays them (dB, Hz, ms, ratio) alongside the raw value.
• set_parameter_by_display_value(track, device, parameter, target) — Set a parameter from a display string such as "-9 dB", "120 Hz" or "4:1". Uses Live's str_to_value when available, otherwise a bounded binary search on str_for_value.
• set_track_volume_db(track, db_value) — Set a track fader in dB instead of a raw 0–1 float.

Tier 4 — Musical helpers (pure server-side, no remote round-trips for note math)

• add_chord_progression(track, clip, chords, rhythm?, octave?) — Write a progression like ["Cm","Fm","G7","Cm"] straight into a clip. Supports triads, 7ths, sus, dim, aug, 9ths, 11ths, 13ths.
• add_scale_run(track, clip, scale, start_beat, end_beat, direction?) — Generate scalar runs in any of major / minor / harmonic_minor / dorian / phrygian / lydian / mixolydian / locrian / pentatonic / blues / chromatic.
• add_drum_pattern(track, clip, pattern, length, kit_map?) — Preset patterns: four_on_floor, trap, breakbeat, boom_bap. Defaults to GM drum mapping.
• quantize_clip(track, clip, grid?) — Snap notes to 1/4, 1/8, 1/16, or 1/32.
• transpose_clip(track, clip, semitones) — Shift every note by a fixed interval.

Tier 4 Plus — Personality system (27 named players, 4 roles, BPM-aware)

A personality is a rule-based profile capturing the surface stylistic features of a real-world player: note density, swing, register, scale pool, chromatic usage, dynamics, articulation. Generators combine those rules with a chord progression to produce a coherent MIDI part that reads as "in the style of" that player. Not ML — deterministic, rule-based, fast, extensible (a new personality is one dict entry).

Each personality declares a tempo_sweet_spot and a comfortable tempo_min/tempo_max range. Generators auto-pull the current session tempo and scale density / swing to compensate when the song tempo is outside the personality's range — and emit a warning so you know.

Tools

• add_personality(track, clip, personality, chord_progression, bars_per_chord?, tempo?, octave_offset?, seed?) — Generate a part in the named personality's style and write it into an existing MIDI clip. Auto-dispatches by role (solo / comp / bass / drums). Tempo defaults to the live session tempo.
• add_blended_personality_solo(track, clip, personality_a, personality_b, ratio, chord_progression, ...) — Generate a solo from a profile that's interpolated between two personalities (e.g. 70% Coltrane + 30% Kenny G). Numeric fields are linearly blended; categorical pools take from A when ratio<0.5, from B otherwise.
• list_personalities() — Returns every personality grouped by role with name, sweet-spot tempo, and one-line description.
• add_personality_solo(...) — Legacy alias for add_personality restricted to solo personalities.

Personality reference (33 total)

Solo (9) — melodic / lead lines

Key	Player	Sweet spot	Surface style
coltrane	John Coltrane	200 BPM	Sheets of sound, modal scalar runs with chromatic approach
kenny_g	Kenny G	95 BPM	Sparse high-register sustained chord tones, lots of space
oscar_peterson	Oscar Peterson	160 BPM	Swung bebop with octave doublings, blues turns, dramatic dynamics
miles_davis	Miles Davis	120 BPM	Cool / modal — half the bar is silence, target chord tones
charlie_parker	Charlie Parker	230 BPM	Bebop dense — chromatic approach into every chord tone
wayne_shorter	Wayne Shorter	140 BPM	Modern angular — wide intervallic leaps, modal/altered
pat_metheny	Pat Metheny	130 BPM	Lyrical guitar — long phrases over lydian/dorian, mostly straight
stan_getz	Stan Getz	100 BPM	Cool / bossa — smooth long melodic phrases, mostly chord tones
dizzy_gillespie	Dizzy Gillespie	240 BPM	Bebop trumpet — fast chromatic runs in the screaming register

Comp (6) — chord voicings / comping

Key	Player	Sweet spot	Surface style
bill_evans	Bill Evans	110 BPM	Sustained rootless 3-7 voicings, half-note pulses, soft romantic
mccoy_tyner	McCoy Tyner	180 BPM	Quartal stacks (chords in 4ths) with 16th-note percussive stabs
herbie_hancock	Herbie Hancock	140 BPM	Rootless voicings on every offbeat — Miles 60s polyrhythmic
red_garland	Red Garland	130 BPM	Locked-hands block chords in 4/4 quarters — hard bop
chick_corea	Chick Corea	150 BPM	Modern fusion — dense 5-voice rootless polychords, syncopated
wynton_kelly	Wynton Kelly	140 BPM	Hard bop bluesy shell voicings with anticipated comping

Bass (6) — bass lines

Key	Player	Sweet spot	Surface style
james_jamerson	James Jamerson	105 BPM	Motown busy syncopated 8ths, ghost notes, mid P-bass register
jaco_pastorius	Jaco Pastorius	120 BPM	Melodic fretless in upper register — chord tones, big leaps, slides
pino_palladino	Pino Palladino	90 BPM	Smooth R&B — root and 5th in the lowest register, soft pocket
marcus_miller	Marcus Miller	100 BPM	Slap funk — hugely percussive 16ths with massive thumb/pop dynamics
ray_brown	Ray Brown	140 BPM	Straight quarter-note jazz walking, low register, locked-in
charles_mingus	Charles Mingus	130 BPM	Expressive upright walking — dramatic dynamics, chromatic, slides
house	House (genre profile)	124 BPM	Off-beat root-dominant synth bass on the "and" of every beat, low register, monophonic

Drums (12) — drum kit patterns

Acoustic / live drummers

Key	Player	Sweet spot	Surface style
questlove	Questlove	88 BPM	Deep behind-the-beat pocket, ghost notes between backbeats
tony_williams	Tony Williams	220 BPM	Canonical jazz ride pattern, feathered kick, hard swing, ahead
vinnie_colaiuta	Vinnie Colaiuta	130 BPM	Polyrhythmic 16th hats, syncopated kicks, ghost-note carpet, fills
j_dilla	J Dilla	85 BPM	Drunk hip-hop — way behind the beat, irregular kicks, sloppy on purpose
elvin_jones	Elvin Jones	220 BPM	Triplet-feel polyrhythmic ride pattern, dense triplet ghosts, ahead
stewart_copeland	Stewart Copeland	130 BPM	Reggae-rock — sparse kicks, busy 16th hats with frequent open hat

Hip-hop producer kits (MPC / sampler)

Key	Player	Sweet spot	Surface style
timbaland	Timbaland	96 BPM	Off-grid syncopated kicks, stuttering 16th hats, vocal-percussion ghosts
dr_dre	Dr. Dre	94 BPM	G-funk tight live-feel pocket, sparse kicks on 1 and 'and-of-3', hard-hitting
dj_premier	DJ Premier	92 BPM	Classic boom bap — hard kicks on 1 and 3, hard snares on 2 and 4, no fills
pete_rock	Pete Rock	88 BPM	Jazzy boom bap with ghost-snare rolls and slight behind-the-beat feel
metro_boomin	Metro Boomin	75 BPM	Modern half-time trap — kick on 1 + and-of-3, snare on 3 only, dense hat rolls
madlib	Madlib	92 BPM	Dusty MPC off-kilter — irregular kicks, behind the beat, lo-fi looseness

Examples

"Replace the lead in clip 0 of track 7 with a Coltrane solo over Cm Ab Eb Bb"
"Write a Bill Evans rootless comp into the chord track for the chorus"
"Generate a Jaco-style bassline for Cm Fm G7 Cm"
"Add a Questlove drum pattern to track 4, scene 3"
"Blend Coltrane and Kenny G 70/30 into a lead solo over the bridge"
"Write a Charles Mingus walking bass at the current session tempo"

Tier 5 — Arrangement view (BETA)

• get_arrangement_info — Reports capability detection, song length, loop region, locators, and per-track arrangement clips.
• add_clip_to_arrangement(track, slot, time) — BETA. Drops a session clip onto the arrangement timeline. Capability-probed: returns a structured "unsupported" error on Live versions that don't expose Track.duplicate_clip_to_arrangement. Verified working on Live 12.2.7.
• arrange_clips(placements=[…], loop_start?, loop_end?, loop_on?) — Bulk form of add_clip_to_arrangement, with optional arrangement-loop setup for placing a whole section map in one remote batch.
• set_arrangement_loop(start, end, on) — Stable across Live 11+.
• add_arrangement_locator(time, name) — Verse / chorus / bridge markers. Drives the play head to time with a commit-and-retry guard (waits real control-surface ticks and re-asserts the position write until Live commits it), then toggles the cue. Verified on Live 12.2.7: consecutive calls land exactly where asked on the first try.
• delete_arrangement_locator(time, tolerance=0.05) — Deletes the nearest locator within tolerance beats of time; errors if none is in range.
• clear_all_arrangement_locators — Deletes every cue point one at a time and reports the count actually removed.
• bounce_session_to_arrangement(scene_order, bar_length?) — BETA. Renders a sequence of scenes onto the arrangement timeline as a one-call session-sketch → arrangement workflow. Requires can_duplicate_to_arrangement: true in get_arrangement_info.
• render_arrangement_to_wav(track_index, start_beat, end_beat, out_path?, tail_seconds?) — Headless bounce-to-disk: renders an Arrangement region straight to a .wav with no manual Export Audio/Video step. Live's LOM has no export-to-file call, so this arms an audio track on the built-in Resampling input (master bus, post-fader, no feedback loop) and records a real-time Arrangement pass, then reads the resulting clip's file path and restores the track's prior input/arm state. Blocks server-side for roughly the real-time duration of the region plus tail_seconds.

Tier 6 — Infrastructure & quality of life

• batch_commands(commands) — Send N remote primitive commands in one socket round-trip. The whole batch executes inside a single main-thread closure on Live's side, so it's atomic from Live's perspective and a single subsequent undo reverts the entire sequence. Stops on the first failure and returns partial results. Server-side composite tools such as create_clip_with_notes and generate_personality_clip are not valid inside batch_commands; use their bulk forms instead.
• Warm-path auto-reconnect — send_command retries once on BrokenPipeError / ConnectionResetError so a brief Ableton restart no longer breaks the session.
• Auto-extending clips — add_notes_to_clip now extends the clip's end_marker if any of the supplied notes would otherwise be truncated. This is a behavior change vs upstream, which silently dropped notes past the clip end.
• Extended get_session_info — Now also reports scene_count, scene_names, is_playing, current_song_time, and arrangement_length.
• Internal dispatch refactor — The remote script's command if/elif chain has been replaced with two dispatch dicts, making future tool additions a one-line change instead of a 30-line edit. Also dropped three dead-code branches that referenced non-existent methods.

Stability fixes (still included from PR #84)

• Fixed a timeout race that could affect destructive commands; get_clip_notes runs via direct execution.
• load_browser_item is correctly recognized as a modifying command.
• load_browser_item correctly resolves plugin URIs by walking plugins / Max for Live / user library / packs / samples in _find_browser_item_by_uri, so URIs returned by get_browser_items_at_path actually load.
• The browser URI cache now stores a soft 5-minute TTL per entry and validates the cached item before returning it, so a stale reference after a browser rescan is evicted instead of silently breaking load_item.

Features

• Two-way communication: Connect Claude AI to Ableton Live through a socket-based server
• One-call session bootstrap: setup_session creates a whole project (tempo, time sig, tracks, instruments, mix) in a single round-trip
• Bulk song sketching: create_clips_with_notes, generate_personality_clip, and arrange_clips reduce multi-track song-building to a few calls
• Batched commands: send N commands at once with atomic undo via batch_commands
• 33 personalities, 4 roles: solo / comp / bass / drums in the style of Coltrane, Bill Evans, Jaco, Questlove, Timbaland, Dr. Dre, Metro Boomin, etc. — BPM-aware, blendable
• Track manipulation: Create, name, mute, solo, arm, delete, and mix MIDI/audio tracks
• Devices: Read every device's parameter list with min/max values; set parameters by raw Live value
• Instrument and effect selection: Search the browser by name, or load with a single composite call
• Clip creation and editing: Create, edit, read, duplicate (cross-track), resize, loop, and delete MIDI clips and notes (with auto-extending clip length)
• Music theory primitives: Chord progressions, scale runs, drum patterns, quantize, transpose
• Mixer control: Track and master volume, pan, and return-track sends
• Session control: Start/stop playback, fire individual clips or whole scenes, create scenes
• Arrangement view (BETA): Capability-probed support for dropping clips onto the timeline, setting the arrangement loop, adding locators, and bouncing a scene order to a full arrangement
• Headless bounce-to-disk: Render an Arrangement region straight to a .wav file with no manual Export Audio/Video step
• Undo support: Revert the last action — including a whole batch as one step

Components

The system consists of two main components:

1. Ableton Remote Script (Ableton_Remote_Script/__init__.py): A MIDI Remote Script for Ableton Live that creates a socket server to receive and execute commands
2. MCP Server (server.py): A Python server that implements the Model Context Protocol and connects to the Ableton Remote Script

Installation

Note: the upstream ableton-mcp PyPI package and @ahujasid/ableton-mcp Smithery listing install the original project — they will not include the personality system or the ~35 additional tools in this fork. To get this fork, install ableton-mcp-lofifren from PyPI as shown below.

Prerequisites

• Ableton Live 10 or newer
• Python 3.8 or newer
• uv package manager

If you're on Mac, please install uv as:

brew install uv

Otherwise, install from [uv's official website][https://docs.astral.sh/uv/getting-started/installation/]

⚠️ Do not proceed before installing UV

Claude for Desktop Integration

Follow along with the setup instructions video

1. Go to Claude > Settings > Developer > Edit Config > claude_desktop_config.json to include the following:

{
    "mcpServers": {
        "ableton-mcp-lofifren": {
            "command": "uvx",
            "args": ["ableton-mcp-lofifren"]
        }
    }
}

uvx will fetch ableton-mcp-lofifren from PyPI on first launch and cache it. To install from a development branch instead, replace the args with ["--from", "git+https://github.com/LofiFren/ableton-mcp-lofifren.git", "ableton-mcp-lofifren"].

Cursor Integration

One-click: use the Add MCP server to Cursor badge at the top of this README — it pre-fills the config and opens Cursor.

Manual: go to Cursor Settings → MCP and paste this as a command:

uvx ableton-mcp-lofifren

VS Code Integration

One-click: use the Install in VS Code badge at the top of this README. Requires the MCP extension for VS Code.

Manual: open the command palette → MCP: Add Server → Stdio → command uvx, args ableton-mcp-lofifren.

⚠️ Only run one instance of the MCP server (either on Cursor or Claude Desktop), not both

Installing the Ableton Remote Script

Follow along with the setup instructions video

1. Download the AbletonMCP_Remote_Script/__init__.py file from this repo

2. Copy the folder to Ableton's MIDI Remote Scripts directory. Different OS and versions have different locations. One of these should work, you might have to look:

   For macOS:

   • Method 1: Go to Applications > Right-click on Ableton Live app → Show Package Contents → Navigate to: Contents/App-Resources/MIDI Remote Scripts/
   • Method 2: If it's not there in the first method, use the direct path (replace XX with your version number): /Users/[Username]/Library/Preferences/Ableton/Live XX/User Remote Scripts

   For Windows:

   • Method 1: C:\Users[Username]\AppData\Roaming\Ableton\Live x.x.x\Preferences\User Remote Scripts
   • Method 2: C:\ProgramData\Ableton\Live XX\Resources\MIDI Remote Scripts\
   • Method 3: C:\Program Files\Ableton\Live XX\Resources\MIDI Remote Scripts\ Note: Replace XX with your Ableton version number (e.g., 10, 11, 12)

3. Create a folder called 'AbletonMCP' in the Remote Scripts directory and paste the downloaded '__init__.py' file

4. Launch Ableton Live

5. Go to Settings/Preferences → Link, Tempo & MIDI

6. In the Control Surface dropdown, select "AbletonMCP"

7. Set Input and Output to "None"

Usage

Starting the Connection

1. Ensure the Ableton Remote Script is loaded in Ableton Live
2. Make sure the MCP server is configured in Claude Desktop or Cursor
3. The connection should be established automatically when you interact with Claude

Using with Claude

Once the config file has been set on Claude, and the remote script is running in Ableton, you will see a hammer icon with tools for the Ableton MCP.

Capabilities

• Get session, track, and arrangement information
• Bootstrap a whole session in one call (setup_session)
• Batch any sequence of commands as a single atomic, single-undo operation
• Create / name / arm / mute / solo / delete MIDI and audio tracks
• Create, edit, read, duplicate (cross-track), resize, and loop clips
• Add, remove, transpose, and quantize MIDI notes
• Auto-extending clips when notes overflow the current length
• Read every device's parameters (with min/max) and set them by raw Live value
• Search the Ableton browser by name and load by URI or by name
• Set track volume / pan / return-track sends and master volume
• Control tempo, time signature, playback, individual clips, and entire scenes
• Create scenes and set per-scene name / tempo
• Generate chord progressions, scale runs, and preset drum patterns
• Generate parts in the style of named players — 9 solo personalities (Coltrane, Kenny G, Oscar Peterson, Miles, Parker, Wayne Shorter, Metheny, Getz, Dizzy), 6 comp (Bill Evans, McCoy Tyner, Hancock, Red Garland, Chick Corea, Wynton Kelly), 6 bass (Jamerson, Jaco, Pino, Marcus Miller, Ray Brown, Mingus), 12 drums (Questlove, Tony Williams, Vinnie, J Dilla, Elvin Jones, Stewart Copeland, Timbaland, Dr. Dre, DJ Premier, Pete Rock, Metro Boomin, Madlib) — all BPM-aware
• Blend two solo personalities (e.g. 70% Coltrane + 30% Kenny G) into a synthetic profile
• Drop session clips onto the arrangement timeline (BETA), set the arrangement loop, and bounce a scene order to a full arrangement (BETA)
• Undo the last action — including a whole batch as one step

Example Commands

Here are some examples of what you can ask Claude to do:

• "Create an 80s synthwave track" Demo
• "Create a Metro Boomin style hip-hop beat"
• "Create a new MIDI track with a synth bass instrument"
• "Add reverb to my drums"
• "Create a 4-bar MIDI clip with a simple melody"
• "Get information about the current Ableton session"
• "Load a 808 drum rack into the selected track"
• "Add a jazz chord progression to the clip in track 1"
• "Set the tempo to 120 BPM"
• "Play the clip in track 2"
• "Read the notes in clip 1 of track 3 and harmonize them a third up"
• "Clear all the notes from the bass clip and write a new pattern"
• "Duplicate the drum clip in slot 1 to slot 2"
• "Add an audio track and set its volume to -6 dB"
• "Pan the hi-hats slightly to the right"
• "Send 30% of the lead vocal to Return A"
• "Fire scene 2"
• "Undo that"
• "Set up a session at 90 BPM in 6/8 with four MIDI tracks: Drums, Bass, Lead, Pad" (setup_session)
• "Search the browser for Operator and load it on track 0" (load_instrument_by_name)
• "Write a Cm-Fm-G7-Cm progression into clip 0 of the chord track" (add_chord_progression)
• "Add a four-on-the-floor beat to track 0" (add_drum_pattern)
• "Quantize the lead clip to 1/16" (quantize_clip)
• "Transpose the bass clip up by 7 semitones" (transpose_clip)
• "Mute track 1 and arm track 2 for recording"
• "Show me the parameters of the device on track 3" (get_track_devices)
• "Set parameter 4 of the first device on track 3 to 8000" (set_device_parameter)
• "Set the time signature to 3/4"
• "Create a new scene named 'Bridge'"
• "Bounce scenes [0, 0, 1, 2, 1, 3] onto the arrangement" (bounce_session_to_arrangement, BETA)
• "Add a locator at beat 32 named 'Drop'" (add_arrangement_locator)
• "Replace the lead with a Coltrane solo over Cm Ab Eb Bb" (add_personality)
• "Write a Bill Evans rootless comp for the chorus chords" (add_personality)
• "Make the bass play like James Jamerson" (add_personality)
• "Use a Questlove drum pattern for the verse" (add_personality)
• "Blend Coltrane and Kenny G 70/30 into the lead" (add_blended_personality_solo)
• "Show me which personalities I can use" (list_personalities)

Troubleshooting

• Connection issues: Make sure the Ableton Remote Script is loaded, and the MCP server is configured on Claude
• Timeout errors: Try simplifying your requests or breaking them into smaller steps
• Have you tried turning it off and on again?: If you're still having connection errors, try restarting both Claude and Ableton Live

Technical Details

Communication Protocol

The system uses a simple JSON-based protocol over TCP sockets:

• Commands are sent as JSON objects with a type and optional params
• Responses are JSON objects with a status and result or message

Limitations & Security Considerations

• Creating complex musical arrangements might need to be broken down into smaller steps
• The tool is designed to work with Ableton's default devices and browser items
• Always save your work before extensive experimentation

Contributing

Contributions are welcome! Please feel free to submit a Pull Request.

Disclaimer

This is a third-party integration and not made by Ableton.