About stop-slop
stop-slop is a writing skill for people editing prose to remove predictable AI-writing patterns. It supplies rules and checks for direct, specific sentences, active voice, and varied rhythm.
Key features
- 01Cut filler phrases and adverbs
- 02Avoid formulaic structures
- 03Use active voice and human subjects
- 04Replace vague claims with specifics
- 05Vary sentence rhythm
- 06Run a pre-delivery checklist
Use cases
- 01Edit AI-generated prose for filler
- 02Revise sentences with passive voice
- 03Check drafts for vague claims
Install
Copy the command and run it in a terminal.
npx skills add https:/After installing, type/stop-slopin Claude Code to confirm it loaded.
Bundled files
References and scripts installed along with SKILL.md.
LICENSECHANGELOG.mdREADME.mdreferences/phrases.mdstructures.mdexamples.mdDetails
From the project READMEStop Slop
Eliminate predictable AI writing patterns from prose.
Core Rules
-
Cut filler phrases. Remove throat-clearing openers, emphasis crutches, and all adverbs. See references/phrases.md.
-
Break formulaic structures. Avoid binary contrasts, negative listings, dramatic fragmentation, rhetorical setups, false agency. See references/structures.md.
-
Use active voice. Every sentence needs a human subject doing something. No passive constructions. No inanimate objects performing human actions ("the complaint becomes a fix").
-
Be specific. No vague declaratives ("The reasons are structural"). Name the specific thing. No lazy extremes ("every," "always," "never") doing vague work.
-
Put the reader in the room. No narrator-from-a-distance voice. "You" beats "People." Specifics beat abstractions.
-
Vary rhythm. Mix sentence lengths. Two items beat three. End paragraphs differently. No em dashes.
-
Trust readers. State facts directly. Skip softening, justification, hand-holding.
-
Cut quotables. If it sounds like a pull-quote, rewrite it.
Quick Checks
Before delivering prose:
- Any adverbs? Kill them.
- Any passive voice? Find the actor, make them the subject.
- Inanimate thing doing a human verb ("the decision emerges")? Name the person.
- Sentence starts with a Wh- word? Restructure it.
- Any "here's what/this/that" throat-clearing? Cut to the point.
- Any "not X, it's Y" contrasts? State Y directly.
- Three consecutive sentences match length? Break one.
- Paragraph ends with punchy one-liner? Vary it.
- Em-dash anywhere? Remove it.
- Vague declarative ("The implications are significant")? Name the specific implication.
- Narrator-from-a-distance ("Nobody designed this")? Put the reader in the scene.
- Meta-joiners ("The rest of this essay...")? Delete. Let the essay move.
Scoring
Rate 1-10 on each dimension:
| Dimension | Question |
|---|---|
| Directness | Statements or announcements? |
| Rhythm | Varied or metronomic? |
| Trust | Respects reader intelligence? |
| Authenticity | Sounds human? |
| Density | Anything cuttable? |
Below 35/50: revise.
Examples
See references/examples.md for before/after transformations.
License
MIT